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Archive for the ‘Wine Trends’ Category

So its been over a year since I last published. Shame on me. I got a “real job” and have been working for the past year and a half in PR & Marketing for food and wine accounts. One of whom was Georges Duboeuf – a brand I’ve actually written about right here on this little blog! The whole situation was the very definition of serendipity.

It felt a little weird writing about wine while also working for a wine client… it’s tough enough being a writer and a publicist as it is. Lots of blurred lines. No one at work made me feel like there was any conflict of interest, but it was also important for me to focus on my career and get it off the ground. My company was/is super supportive of my writing (I’m lucky!) and they even have me writing for our company’s blog, The Buzz Bin, in a weekly installment called The Booze Bin. If you’re curious as to what a wine publicist actually does, and what, specifically, I’ve been up to the last year and a half, you can check out my most recent post.

Why the sudden comeback? A couple of reasons… first of all – GIFS! You guys – we did not have gifs when I last blogged!

omg my god oh reaction omg my god oh reaction

Ok, no, that’s not really (but kinda is) why I’ve decided to reboot. The real firs reason is that I’m not longer working primarily on a wine account. My focus has shifted back towards food so I don’t feel that there is as much a conflict of interest. Second of all, I learned a TON about the wine industry over the past year and a half and feel that I can bring a new refreshed perspective to my writing here. One of the most striking things I learned was that there’s a huge gaping void in the world of wine writing when it comes to analysis (and criticism) of the industry. Also, while there are tons of blogs writing tasting notes, posting reviews, and interviewing winemakers, there are very few that do so with any kind of focus besides, occasionally, a local one.

Now is one of the most exciting times to be working in or even interested in wine. We have access to more wines at better prices from more places around the world than ever before. And yet, when it comes to the industry and the way it works, not much has changed except the product.

There are people and forces at work to change this and I’d like to join their ranks. That is going to be the sharpened focus of this blog – an element that was always there (hello! See my blog title!?) but that was always more of a context than a platform.

Keep an eye out for my first real post on Monday… after that I’m headed to Italy (Emilia-Romagna) for a few days and should come back with some exciting reports from the land of Lambrusco. There is plenty of good stuff to come.
Cheers!

Caroline

 

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It’s been over a year since I’ve taken the time to write about the 20-something wine palate. Last I checked in, Millenials were mad for Malbec – but that was a while ago and, while I’m sure there are still plenty of 20-somethings throwing back these easy-drinkers from Argentina, there’s plenty more to catch everyone up on.

It’s only taken a year of writing this little wine blog but my friends have finally started to come around to being introduced to different wines that I bring around. And to actually go into wine stores on their own, ask questions, and spend a little money on a wine that they might actually enjoy. The biggest crowd pleaser? Without a doubt, Barbera.

Barbera is a grape indigenous to Piedmont in Northwestern Italy and it makes a wine that is notable for its big juicy fruit, high acidity, and low tannin. Unlike Malbecs from Argentina, which are also incredibly fruit forward, Barberas tend to show flavors of cherries and red plums and, because of the high acid, they are brighter and much more food-friendly. I have a theory that given these wines’ flavor profiles, easy drinkability, and food friendliness, they would easily be the next Malbec if not for their higher price tag. Wine directors around the city of New York have taken note, too, and begun to offer them widely and broadly on wine lists across the city as an affordable and accessible by-the-glass option. For the 20-something who is starting to get comfortable with their palate, maybe into a something a little heavier than their usual Pinot Noir but a little sick of rich chocolatey Malbec, Barbera is a brilliant choice.

Barbera is traditionally a wine of Piedmonte, but there are some truly wonderful examples coming out of Santa Barbara and also Amador County at the foot of the Sierra Foothills in California. Above, I’ve included my two clear favorites from this burgeoning region.

For the more adventurous 20-something wine drinker, I’ve found that another big hit is the Austrian grape, Blaufrankisch. Austrian wines, in general, have seen a pretty significant surge in popularity over the last year – with Zweigelt, Blaufrankisch, and even St. Laurent starting to become a less rare sighting on wine lists and retail shelves. For the 20-something wine drinker who just doesn’t have a taste for Pinot Noir, Blaufrankisch is a great option – it’s light, has really bright acidity, and berry fruits like raspberries, blueberries, and a sophisticated hit of black pepper that makes the nose on this wine instantly recognizable. With just a touch of tannin, this is a good gateway wine into understanding the structure and complexity that tannin can bring to a wine – there’s no way that the average 20-something wine drinker is going to ever appreciate tannin if they’re smacked in the face with it. It has to be a gradual introduction and one that gets more aggressive over time, as the palate warms up to it. Blaufrankisch is another wine that my friends enjoyed so much that it drove them to their local wine shops in search of it.

As far as heavier reds go, I think that a lot of 20-somethings who have the money to spend are big into the reds from Chateneuf du Pape. The price of these spicy, earthy, and moderately tannic wines have fallen as the market has been flooded with more affordable bottles, and millenials are drawn to this very classic French wine. However, for those who have a taste for bigger reds that can’t quite afford to throw down $20 every time they want a bottle of wine, the reds of the Languedoc are a great place to go. Specifically, the red wines of Corbieres are popular and, generally, easy sellers. These are reds that have some of the spice, aggressive fruit, and earthiness that Chateneuf offers, but with softer tannins and a funkier character that is strangely appealing. The price tags on these wines are generally a little gentler on the wallet, too, with good bottles usually retailing for about $12/bottle.

In Corbieres, the main grape is Carignan, which is often supplemented with Syrah and Grenache. Carignan is the main culprit behing the funky character that sets the region’s reds apart. Meanwhile, in Chateuneuf du Pape, Grenache is king.

So, what about the whites you ask? Besides the Moscato craze sweeping the marketplace, there are plenty of other wines that are poised to be a big hit with the 20-something wine-drinking crowd. To start, I think that Rieslings are making a big impression on the 20-something wine drinker – especially with the shift towards the bone-dry style. If there’s one thing that Millienals never want to be, it’s uncool. And sweet Rieslings? They are the epitome of uncool. But dry Rieslings are delicious and 20-somethings are learning this slowly but definitely.

In the spirit of Riesling’s growing popularity in regions across the world, I’ve included here a sample from The Finger Lakes, Alsace, Washington, and the Mosel Region of Germany…all have distinct characteristics that speak to that all-elusive idea of terroir

I also think that Greek Whites are making some decent headway. Assyrtiko, once obscure, is slowly becoming a go-to white wine on many wine lists around the city, and I’ve had some other Greek whites that have just blown me away. These are wines to watch out for. Again, like with the dry Rieslings, these are usually whites with racy – if not downright aggressive – acidity that are crisp and clean, but offer nice fruit and some interesting flavors. Oak, I think, has become a faux-pas as far as 20-somethigns are concerned – an oaky white wine is too much something their mothers would drink and, thus, far too uncool.

The wine on the far left, the Alpha Estate Malgouzia, isn’t actually an Assyrtiko, but it is a wine I fell in love with recently. It has a vaguely minty marshmallow flavor and texture that make it endlessly intriguing from the first sip to the last. Coupled with a bracing acidity, it’s a wine that continues to pique my curiosity weeks after I’ve tried it.

Lastly, as far as whites go, I think that Sicilian whites are piggybacking on the huge surge in popularity of Sicilian reds, and we may start to see more of them. Just like with Assyrtiko and Riesling, Sicilian whites have zingy acidity and unusual flavors that range from orange blossom to stark minerality. They’re cool and weird and so far from what our parents ever liked that I think they’re bound to become strangely popular for such an obscure wine.

I think the biggest insight we can glean into the shifting trends in what 20-somethings are drinking is that younger wine drinkers like wines that have a “cool factor” – whether the grape or the place is a little obscure, a taste for high acidity, and, obviously, the price. If the average bottle is above $15, you can forget about it – you’re not going anywhere fast with this recession-battered crowd. I think, too, that, wines in general made with less oak and a lighter touch are becoming increasingly popular.  I think that two wines poised to make a big impression in the next year are Rioja – those that are made in a more traditional old-world style with restrained oak and less bombastic fruit, and Beaujolais – a wine I love dearly for its subtlety, delicacy, and lightness. We’ll come back around to those two, later. In the meantime, go drink what the cool kids are drinking and thank me later.

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That’s right…your humble little blogger got an article in the June 2012 Issue of Wine Enthusiast! I’ve uploaded a picture for ya but if you’re so inclined, you should go get an issue and then write in to the editors to tell them how my piece was your favorite piece. Because, you know… you love me. The story is all about how there are some really cool winemakers in California using some interesting Italian Varieties. Of course, the story got significantly chopped and there are SO many great winemakers I interviewed and whose wines I sampled that didn’t make it into the piece. For them, I’ll be writing an in-depth roundup of the best of these new and interesting wines – so watch out for that in the next few days. Cheers!

 

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Interested in spending this rainy NYC weekend indoors strolling through one of the city’s largest and most expansive wine tastings? This weekend is the New York Wine Expo and, although it starts tonight, there’s still time to get your ticket!

Why bother? Because for $85 tonight (6-10 pm) or $95 tomorrow (2-6pm) you can taste as many wines as you want (or can – drunkies, I’m lookin’ at you) from ALL.OVER.THE.WORLD. Never tried a wine from Portugal? Interested in tasting your way through Italy from north to south? How about a trip around France’s most famed wine regions? Maybe you just want an opportunity to learn or pick up some tips…It’s all possible.

I’ll be there! And I’ll be tweeting the whole thing live – from the word on the latest trends, to insights from winemakers and drinkers alike, and any surprisingly stupendous sips I encounter along the way. Definitely tune in and follow me on twitter (@forgetburgundy) if you don’t already – I predict that as the night goes on and I get more wine in me, things will start to get interesting.

For more information, go the event’s website: http://www.wine-expos.com/Wine/NY/

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Just a few days ago, I had the chance to chat with kosher wine-maker, Jeff Morgan, who is behind Napa’s Covenant Wines which Robert Parker has called the “best kosher wine in America.” Read on for my super interesting Q&A with Morgan!

Jeff Morgan, winemaker and owner of Covenant Wines in Napa

ForgetBugundy: Why don’t you tell me a little bit about your background and how you got into wine?

Jeff Morgan: When I was 19, I dropped out of college and went to study music at the French National Conservatory. […] I eventually became a saxophone player, singer, dancer, and a band leader at the Grand Casino in Monte Carlo […] circa 1987. The shittier the music was the more they liked it and we were going nowhere fast. So one night I said to myself, ‘Gosh, there must be something better than this – something I like more than music because I could see myself growing old on this stage’ and it just came to me in a flash. ‘Wine! I love wine! I love wine as much as music!’

FB: Were you always interested in making wine?

JM:  Well, I decided to move back to the states, and to New York, where I’m from, and I started knocking on doors out on the east end of Long Island to work as a cellar rat because no one in France would hire an American sax player who knew nothing about making wine! In America you can actually get by on Chutzpah – at least at first. I got a job at a little winery that wasn’t built yet – it was just a vineyard and I worked in the vineyard for about a year and then they built the winery and I worked in the winery for another year or so and learned how to make wine from the ground up.

FB: You ended up writing about wine a fair amount, too. In fact, weren’t you the Wine Spectator West Coast Editor? How’d you go from the east end of Long Island to California?

JM: Yeah. I started writing about wine and somehow I worked myself into the New York Times as a stringer and then somehow I got into the Wine Spectator as a freelancer and they liked what I did and hired me to be the West Coast Editor and moved me to California in 1995.  I stayed with them for another five years and quit in 2000 because I wanted to make wine again so I started a little winery that only made rose wine called SoloRosa. It was a brilliant idea and also a terrible idea at the same time.

FB: So how’d you go from making only rosé to making kosher wine?

JM: I started Covenant (Morgan’s kosher wine label) in 2003 on a dare from Leslie Rudd. […] Leslie is a nice Jewish boy from Wichita and I’m a nice Jewish boy from New York. Neither of us was particularly observant but I’d had some good kosher wines over the years and I said, ‘We can do it! We just need some great grapes from your fabulous vineyards!’ and he told me to think again because he was afraid I’d screw it up so I started with grapes from another exceptional vineyard called Larkmead vineyard.

Two Nice Jewish Boys: Rudd (on the left) with Morgan in the Covenant Cellar. After Jeff was able to show Rudd he knew what he was doing, Rudd finally granted Jeff his wish and allowed a Covenant wine to be made from his coveted and acclaimed Napa Valley grapes

FB: Why was Rudd so afraid you’d screw it up? Are there certain practices and methods you have to use that make a wine Kosher and also compromise the quality of the wine?

JM:No, all wine is kosher! But to keep the wine kosher it can only be touched by a Sabbath-observant Jew. And that is the only requirement. So there is no kosher wine making method and there’s no reason why Kosher shouldn’t be as good as other wine. You just need to pay attention, know what you’re dong, get good grapes and be able to reveal the terroir of what you’re using.

FB: If that’s the case then why does kosher wine get such a bad rap?

JM: Most people who are 40, 50, and older grew up with really lousy Manischewitz concord(grape)-based sweet wines that are bad whether they’re kosher or not. So I think we all have that taste in our memory banks. But I had been writing about kosher wines on [Wine] Spectator for a while so I knew there were good ones out there but Les didn’t. One day we went to a tasting and tried some Israeli kosher wine from a winery called Castel and we were loving them. Les said, ‘Why is this so much better than what we had as kids at Passover?’ I said, ‘It’s a brave new world!’

FB: So since you’ve started making kosher wine under the Covenant label, have you seen an increase in demand for Kosher wines in the marketplace?

JM: I think there’s an increasing demand for fine wine that happens to be kosher. A lot of that is sparked by a resurgence in spirituality and especially Jewish spirituality that’s being embraced by a lot of younger people today that may not have grown up Sabbath observant or keeping kosher but now they are and they’re used to drinking really good wines that aren’t kosher. I also think that the Jewish palate, like the American palate, is definitely becoming more sophisticated and discerning.

Also, did you know that the Jews were making really great wine at least a thousand years before the Roman Empire was even started?

FB: Really? The Jews are not really known, historically, for their wine.

JM: Yeah. We’ve been at it like…forever! Last May, I was in an old winery or wine press, and there were vats that were carved out of the limestone in the Judean hills and I’m telling you, from what I could see from the way that this thing was put together that these guys were making their wine essentially the same way I do! We extract the juice from the berries and we just let it sit there. We don’t even add yeast – I mean we use native yeast, from…. from God! I don’t know where it comes from but why not say from God? And we don’t inoculate, we don’t filter, we don’t fine, it’s a very simple gentle process.

Covenant grapes ready for harvest

FB: So would you describe what you make as “Natural Wine”?

JM: I would say our wines are totally natural but it has nothing to do with the kind of bogus movement today that is using the word “natural” to connote some kind of ephemeral quality that doesn’t exist in the wines. Most of the natural wines I’ve had unfortunately – and it’s a great concept – but most of them are so poorly made that they’re undrinkable; they’re refermenting in the bottle or prematurely oxidized because they don’t use sulphur and it’s a disaster. […] And that doesn’t mean that they’re all that way – it’s a big mistake to make a broad generalization about anything. If you can grow grapes organic and make your wine really naturally that’s something to strive for but it’s certainly not a consumer’s concern and I think it’s a mistake to buy those wines because of those labels.

FB: Changing subjects, here, did you have an “Aha!” moment with wine – perhaps a specific bottle of wine that changed the way you thought about wine?

JM: Yes. I’d been in France for maybe a week, I was 19, and I went to have lunch at the student restaurant at University of Nice. The lunch was government-subsidized and it was only two Francs, or about 50 cents. So I got my little tray and lined up and they had all of these little salads and you could pick the one you want. They had things like celery remoulade, grated carrots with all these funny little things on them, a beet salad and these beautiful little frisee lettuce. I didn’t know what to take but I took the celery root remoulade – I remember that! And it was a Friday so they were serving fish but it wasn’t fish sticks, it was the whole fish with the head on it and I didn’t even know how to eat it! And after that there was a little cheese platter, and you could pick your piece of Camembert and I got to the end of the line, and they said. ‘Monsieur would you like red or white?’ And I realized they had little splits of red and white wine and I can’t remember if I took the red or the white. But I sat down and tucked into the celery remoulade and someone showed me how to eat the fish, and I drank the wine and that was my religious experience, my epiphany. That one meal changed the course of my life.

FB: Why don’t you tell me a little bit about the wines you make at Covenant?

JM: I want people everywhere, especially in America, to drink more wine on a regular basis and you can’t do it if the only good wines you can find cost a fortune. Our wines are not cheap – our Covenant Cabernet Sauvignon is regularly about $90-100 retail but we also make a wine called The Red C from different vineyard sources that is just as good in a different way at $44. We also make a really delicious Sauvignon Blanc, and I believe that white wine should start every meal, at about $22-24.

The reason our wines are so expensive, especially the Covenant wines, is that the cost of growing or buying grapes in Napa Valley is like the cost of doing business on 5th Ave. in New York City. We pay, on average, $10,000 a ton for Cabernet Sauvignon grapes from the greatest vineyards in Napa. Our wine prices reflect the cost of making the wines. This year, we also made a Zinfandel that will be about $35, a Pinot Noir that will be $45 and a Syrah that will be around $40.

So there ya have it, folks! Kosher wine is making a comeback!

Want to know more? Visit CovenantWines.com. And many thanks to Jeff Morgan.

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Photo Courtesty of Katie Sokoler, colormekatie.blogspot.com

Jonny Cigar, one part performer to two parts wine geek, is the self-appointed master sommelier behind the city’s coolest underground wine salon, The Noble Rot.

Cigar’s impact on the New York City wine scene has been palpable; he was recently proclaimed one of the city’s new wine prophets by Time Out New York. He says it is crucial to point out that he has no official wine education – but he has studied performance and theater.

“I went to school for performance. What the hell am I doing?” Cigar said of his initial thoughts on receiving the news that he’d been named a “wine prophet.”

Cigar’s flair for the dramatic extends from his name (he was born Jonathan Cristaldi), to his bespoke three-piece suits and penchant for bow ties. At Noble Rot events, Cigar is known for his habit of introducing the evening’s theme and wines through dramatic readings, soliloquys and even the stray Frank Sinatra impersonation.

Meeting over tea on a chilly fall afternoon in the West Village, Cigar was in one of his signature three-piece suits with matching tie and pocket square – folded just so. Cigar has an easy grin and a mixture of sophisticated confidence – emphasized, perhaps, by his sense of style – and an endearingly goofy sense of humor that makes it easy to believe he’s a theater kid at heart.

“I should be a drama dork somewhere researching history for some big Broadway production getting paid big money to do that and instead I’m drinking and drinking professionally!”

The Noble Rot has come a long way since its first event. A few years ago, armed with not much more than a budding interest in wine and a mailing list from his performance art residencies at various downtown theaters, Jonny Cigar set out to hold a tasting of the best wines available for $10 or under. He found a

Photo Courtesty of Katie Sokoler, colormekatie.blogspot.com

rooftop, got together some friends to play music and make food and voila! The Noble Rot was born.

Cigar’s budding interest in wine sprouted, Cigar said, when he started drinking wine with the man who would become his father-in-law.

“My wife’s father is a serious collector of Burgundy and Bordeaux and old Italian wines – Brunellos and Barolos. So he would open up all this crazy stuff, I mean he doesn’t like to drink anything that’s not at least 20 years old, and so I’m dinking these wines and I didn’t know anything about them but I know there’s something special.”

His future father-in-law gave him a copy of a book called The Billionaire’s Vinegar about a wine fraud scandal that tore through the fine-wine collecting circle of the 80s and 90s. Cigar devoured the book in a single plane ride and found himself fascinated by the whole world and especially by the stories of extravagant vertical and horizontal tastings of first growth Bordeaux.

“I just thought, ‘This is very cool!’ I was really involved in the supper club scene and I thought, ‘I’m gonna start a supper club about wine so I can learn while doing it with a group of fun interesting people,’” Cigar said. “And it was sort of enlightening – we had a bunch of food and had a blast and we sort of took off from there.”

Time Out New York’s proclamation came just days before Cigar returned to New York City from a five-month trip to Napa that he’d taken in the wake of a professional break with his previous Noble Rot business partner.

“We tried really hard to hash out a business plan and in doing so we realized we had a lot of differences so we split ways,” Cigar said. “It came at a good time.”

Cigar seized the opportunity to get out of town and regroup.

“So I thought I will go west and look for gold!” Cigar riffed before taking a serious note. “The whole idea was to get an education, to completely immerse myself, and to get in from the ground up.”

Preparing for his move to Napa, Cigar set out to find work in a tasting room or a cellar and convinced himself he’d be spending most of his time knocking on doors and looking for work. Cigar caught a lucky break, however, when a new Sonoma winery called Ram’s Gate hired him to help launch their brand.

The Napa Valley, for all of the wine-fueled romanticism that surrounds it, is still very much farmer’s country and Cigar soon found his sartorial inclinations out of step with the community.

“I was the only guy in the whole valley wearing three piece suits,” he said. “I’d walk into the bank and people would get nervous because they didn’t know what to think, it was like ‘Oh god, whats this guy?! Whats he doing?’”

However, Cigar had no intention of trading in his custom-tailored jackets for overalls and, eventually, his sleek suiting helped to land him another job.

Cigar, dressed down in jacket & jeans, in Napa

Near the end of his two-month gig with Ram’s Gate, Cigar was invited to an event at a little known but beloved boutique winery owned by the Swanson family (yes, the Swanson family of frozen TV Dinners fortune).  The Swanson Vineyards & Winery hosts three by-appointment-only tastings a day in their tasting room, which they call the Salon, styled after the swanky Parisian salons of the 18th century, with intellectual discourse over good food and wine.

Cigar met the Swanson family patriarch, Clarke Swanson, decked out in a double-breasted suit at one of these events, and they hit it off immediately. Soon after, Cigar began hosting appointments in the Salon at the winery. When he wasn’t reciting passages of The Great Gatsby or serenading wine tasters, Cigar was doing grueling but, he said, fulfilling cellar work for another winery, Alpha Omega.

Having returned to New York City with a whole new appreciation of the winemaking process, and enlightened by his experiences in Napa Valley, Cigar has big plans for The Noble Rot.

“I’ve realized that I like a smaller more intimate group. I want our events to become a place for people to really come and learn about wine, and not only learn but experience something new,” Cigar said. “And also to be a conduit for people [who are] looking for hard-to-find awesome boutique wines – I want to be the place for that.”

Cigar’s first Noble Rot event since he returned to New York, a 2011 Harvest Party to “celebrate this year’s harvest from set to crush,” was an opportunity for Cigar to share his favorite stories and insights from working in Napa.

He greeted all of his guests that night with a glass of Cava – saying that the Spanish sparkling wine was a tribute to the Mexican workers who did much of the harvest’s work. Coming from anyone except the endearingly sincere Cigar, this could have been a gaffe but bravely wearing two paisley patterns that somehow meshed, Cigar pulled the whole thing off with charm to spare.

Once the small group assembled, Cigar regaled the small crowd with his favorite harvest stories while pouring wines from the wineries he worked for in Napa (Swanson Family Vineyards & Alpha Omega). When it was time to eat, he’d brought in The Brothers Green, a fraternal duo who run the same supper club circuit as Cigar, for a feast of tacos – another homage to the migrant workers and the end-of-day meals he ate with them.

Cigar plans to keep hosting events for The Noble Rot but is thinking of retooling The Noble Rot so that it’s membership only. He went on to say that he wanted to work his way into making The Noble Rot into a tiered membership, like a wine club.

“But the greatest wine club on the face of the earth,” Cigar said with confidence and a not a hint of histrionics.

Jonny Cigar’s Wine Picks:

I had to ask, what is he drinking these days?

“I’m big into Syrah right now – I just feel like it’s starting to turn crisp and cold and I love a good robust Syrah from California,” said Cigar.

I also asked Cigar, in honor of his recent trip to Napa to give me his five favorite California wines of the moment. Here’s what he had to say:

 Robert Foley Vineyards: “A wine I could drink all the time anytime is The Griffin. It is such a heartwarming delicious wine that’s got these subtle chocolate notes that are just outrageous.”

Covenant Wines: “A really outrageously delicious wine. Jeff Morgan is the winemaker and not only does he make a kosher wine, but it’s the best kosher wine on planet earth (according to Robert Parker).”

Pinot Noir from Carneros: “I have become a huge fan. I recently discovered Saxon Brown and Flowers makes a good Pinot, too.”

Ram’s Gate: “They are producing elegant wines with superb structure, aromas and will age beautifully

Gemstone: “ I had the opportunity to taste this wine right before leaving and I would say that its one of my favorite wines now.  So good.”

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So, readers, we’ve got some catching up to do. I’ve finally settled into fall and that means a change in my drinking habits. I’m waiting to bust out the big guns – the earthy ball-busters and powerhouse reds that I crave through the winter; California Cabs, spicy Syrahs, muscular Priorats and the like. Once I’ve started going down that path, and turned to the dark side, it’s hard to get back – so I’m biding my time with some in-betweeners.

That’s not to say, however, that the wines I’m drinking now are any less intoxicating than those lusty reds I’ll be cuddling up to when the snow starts falling. I’ve had quite a few infatuations this season that are exciting and delicious.

I’ve fallen head over heels with an Austrian wine called Blaufränkisch. Fresh berry flavors, bright acid, and delicious tannins make up the attributes that have me blushing every time I stumble upon a glass of this delightful wine. Did I mention that it’s insanely affordable at an average cost of $10 a bottle? Color me happy, folks. I’m also having a fling with another Austrian wine, St. Laurent – kind of like a male relative of that minx, Pinot Noir. With its sweet fruit, juicy tannins and ripe acidity this is a wine that seems fated for my Thanksgiving table – I have fantasies about sipping it alongside a plate piled high with turkey and cranberry sauce.

Recently, at the Savio Soares Fall Portfolio tasting in New York City, I tasted an example of each of these wines from a 100% Biodynamic producer called Pittnauer (the Blaufrankisch 2009, $9.99 and the St. Laurent Dorflagen 2009, $22.99). Savio Soares Selections is the importer of the moment in New York and Los Angeles. Savio, the owner, scours the world for small producers who make unique, delicious, and often biodynamic or natural wines. His wines are finding their way onto the wine lists and shelves of some of the city’s best restaurants and retailers (respectively, of course) and his portfolio is a wine geek’s paradise, filled with obscure varietals, regions, and producers.

I also have a big crush on the white wines of the Languedoc-Roussillon. It started a couple months ago with a bottle of Les Deux Rives Corbieres Blanc 2010 that I received as a sample courtesy of Pasternak Imports. The wine retails for $11 and has a gorgeous nose of ripe fresh fruits like white peaches that follows up with a velvety full body with fresh acidity and a long intense finish. I couldn’t get enough. My next encounter with a Languedoc-Rousillon white was, again, at the Savio Soares tasting where I had the chance to taste Domaine Rivaton Blanc Bec Vin de France NV that retails for $16. This wine was made from a mixture of Carignan Blanc and Carignan Gris and had an amazingly rich port-ish nose, a sweet and lusciously full body that ended on a delightful savory note of toasty caramel corn.

I’ve been strangely drawn to these rich and toasty whites lately. Another favorite from the Savio tasting was a white from the Cotes du Rhone made up entirely of an obscure little grape called Bourboulenc from the producer Le Clos des Grillons. The wine, Cotes du Rhone Blanc 1901 2010 (retails for $16) seduced me with a nose of rich caramel and buttered popcorn and then delivered a lovely wine with nice acid and savory flavors. It was the wine-equivalent of a sweet/salty treat.

Lastly, I was sent some samples from a boutique winery in the Willamette Valley in Oregon called Seufert that had me smitten. I’m not alone, here either – the winery’s Jonah Vineyard Pinot Noir was just named one of the top 5 Willamette Valley wines to seek out by Travel+Liesure Magazine. Seufert makes its Pinot Noir from grapes grown in some of the best sites in Oregon and I had the pleasure of trying their Vista Hills Vineyard in the Dundee Hills AVA, Momtazi Vineyards in the McMinnville AVA (retails for $35 each), and my surprising personal favorite, a Willamette Valley AVA Pinot Noir called Pinotlicious (retails for $20). Almost more than I loved the wines was the fact that each wine came with a label on the back that gave a “snapshot” of the wine’s character and best food-pairings. Genius.

So now that we’re all caught up on my favorite Fall wines, I’ve got some exciting stuff that I’ll be posting over the next week or so. Look out for a roundup of wines that would be magnificent for your Thanksgiving Feast as well as a profile of The Noble Rot (and one of TONY’s “Wine Prophets), Johnny Cigar. In the meantime if you’re interested in getting your hands on any of the wines above, just plug ‘em into Wine-Searcher.com and see where you can pick ‘

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On a cold rainy night last week I was introduced to the wines of Toro – incidentally, a very dry and warm winemaking region of Spain. Not only had the day’s rain dissipated into the kind of steady mist that makes you feel silly for hiding under an umbrella yet leaves you annoyingly wet without one – to make matters always worse, I had to navigate Times Square.

Eager for a drink after my damp and frenzied rush through the worst four blocks of Manhattan,  I was none too happy to find myself settled into the corner of a retro-chic red leather booth at The Lambs Club. It was my first time attending a winemaker’s dinner, and this was a much more intimate affair that the one I’d imagined. There were only seven of us seated around the table: the winemaker, Manuel Louzada of Numanthia, the lovely publicist who had arranged the dinner, an executive from Moet Hennessy (the company that owns Numanthia), three other journalists, and little old me.

It’s no wonder that we were introduced to Numanthia by way of its charming winemaker, Louzada. Born and raised in Portugal to a family that had been making wine for generations, Louzada likes to tell people that winemaking is in his blood. His is an interesting career path for a wine maker – he started off making Port, which in Louzada’s own words is all about the sheer power of nature, before moving to Argentina to work in sparkling wines – which, he said, are all about delicacy and detail.

When Moet Hennessy purchased the Numanthia label in 2006, the company invited Louzada to Spain to be the winemaker for their newest property and he fell instantly in love with the small region of Toro. The Estates & Wines division of MH is interesting all on its own; a collection of small wineries that span four continents from Napa to New Zealand. Because all of the wineries in the division are located in “New World” locations (also in Australia and Argentina), I had to ask – why Numanthia? Why Toro, Spain?

The answer was that MH snapped up properties in burgeoning wine regions – places they believed would yield unexpectedly great wines and were on their way to becoming the “next big wine region.” Also interesting, I thought, coming from such a large and globally recognized company, was the focus on smaller-scale production and the attention to detail that Louzada expressed. Several times the words artisinal  and hand crafted popped up when Louzada discussed his wines.

At the time of his move to Toro,  Louzada said he had little idea of the region’s potential or history. In fact, Toro is an ancient wine making region located in the northeast near the Castille-Leon region of Spain, just across the Douro River from the Portuguese border. In an interesting turn of fate, Louzada said that the Portuguese had a habit of looking out towards the sea rather than in towards their own country and that in a way, moving to Toro was bringing Louzada full-circle and back to his roots.

Toro is a region with a fascinating history; it is said that Columbus took Toro wine with him on his journey to America in 1492 because its immense structure and body made it suitable to survive long journeys. Though the vineyards of Numanthia don’t yield vines quite that old, there are 150-200 year old vines still growing in the area. These Toro vines are a rare and direct link to the wines of Europe before the phylloxera plague of the late 19th century destroyed about two thirds of the continent’s vineyards. The region is largely made up of a sandy soil that kept the Phylloxera at bay and protected the vines from the devastating plague.

The only red grape grown and used to make wine in Toro is called Tinta de Toro. The wines of the region are known as massive and powerful red wines and Louzada regailed us with stories of painfully losing his sense of taste for weeks after he had conducted barrel tastings of his first vintage –the tannins of the wine were so powerful. Louzada, with his background in sparkling wines and his penchant for detail set out to create wines that maintained the freshness of the fruit while using the tannins inherent to the grapes to sustain them and give body and structure.

Louzada said time and again throughout the dinner that his goal was to balance the concentration and intensity of the wines with elegance. He was inspired, he said, by the tastes he found in the vineyards themselves and aimed to give an impression of each vintage. The terroir of the region, Louzada said, was so massive and so concentrated that it had to be reigned in.

The first wine we tasted was the yet-to-be-released 2009 Termes. According to Louzada that year was riper, slightly warmer, and made a lighter and fruitier wine that was suitable for drinking now. This was not the first time I’d heard this from winemakers (remember the 2009 Bordeaux that could have been a fruit-bomb California Cab?).  In the glass, the wine was gorgeous and dark, the nose had the slightly sweet smell of toasted oak, liquourice and a whiff of eucalyptus. The wine was paired with a beef carpaccio drizzled with a fruity olive oil that had an amazing conversation with the wine – the olive oil’s musky and melony flavors brought out the fruit in the wine and the wine spoke back with echos of olives and dust.

It was really amazing, and when we all nodded in pleasure, proclaiming that we liked the wine, Louzada gave a shy boy “aw shucks” shrug that couldn’t have been more endearing.

Next up, we drank the 2007 Numanthia, which smelled like wet dirt, earth and cherries. This wine had big tannins and tasted of leather, coffee, and toasted oak. Paired with succulent medallions of veal, the wine’s unctuous flavors spoke to the sweet gaminess of the meat.

Last on our tour of Numanthia was the 2008 Teremanthia with a nose of baked blackberries that made it seem heavy and dark until it arrived on the palate where it was plush with dark fruit but supported by lots of tannin.  That was the wine, Louzada claimed, the stars had aligned to make.

While we drank each of these wines, Louzada emphasized that he was driven by his desire to achieve balance. Louzada wanted his wines to, he said, seduce in the nose and pleasure on the palate – making him a sort of oenophile’s Casanova. By the end of the dinner we’d all fallen in love with Louzada’s wines – rich, complex, powerful and elegant.

After last week’s tasting, I can see why all eyes are on Toro as Spain’s next big region – though I’m wary that just anyone should try to coax a wine with mass appeal from the region’s sandy soils. Indeed, this must be a region that  is as challenging for the vines as it is for the winemaker who tries to tame them. A winemaker looking to conquer the wines of Toro must have just the right blend of pioneer and perfectionist – such as can be found in Numathia’s Louzada.

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            Look, I totally get it. I’m not so jaded and sophisticated that I don’t understand the appeal of going to a wine tasting for the “free booze” but if that’s why you’re thinking of attending a wine tasting you might want to think again.

Wine tastings are a great opportunity to try a lot of different wines – maybe a lot of different wines that you’d never have the chance to try again! And yes, they can also be an occasion for lots of drinking on the cheap…a $15 dollar ticket to what is basically an open bar? I hear ya! You’re like, “where do I sign up?!”

And while I’m all about pushing aside staid conventions and having fun with wine, a wine tasting is no place to get wasted. You’ve got to think about it from the point of view of the people hosting and working the event – sure, they know you’re there because you might leave drunk, but they’re also there hoping to introduce their product and perhaps do some business.

If you don't pace yourself, you could look like this.


            Ok, enough with the semi-lecturing and onto the good stuff….

Do a walk around before you start tasting. Grab your tasting glass from the front and do a quick round of the room. Realistically, you’re not going to get a chance to try everything so make a mental note of the tables that have wines you’re really interested and hit those first – before you get too buzzed to remember any of your tasting notes.

Rinse your glass between tables. You walk into the room and you do your scan and you see a bottle of club soda or soda water on every table and you’re like, “Gee, that’s so nice that they’ve put something out for the people who came here and don’t drink!”. Yeah, no. The seltzer is for rinsing out your glass between tables.

Generally, you should rinse your glass if you’re going from reds to whites (or visa versa) at the same table, or even if you’re switching between totally different varietals from pour to pour (from a Cabernet Sauvignon to a Pinot Noir for example) so the flavors don’t get muddied. It’s up to you how often you rinse your glass – some people do it after every pour and some wait until they’re switching colors or tables. You want to pour in a small amount of the soda water (sometimes its just plain old regular water), swirl it around, and pour it into the spitting bucket. If anyone sees you drinking this water, it will be a dead giveaway that you’re a newbie! Generally they’ll provide ice water or water bottles at a tasting that are for drinking.

The spitting thing. I can’t spit in public. I just can’t – its gross and, inevitably, I either spit with too much force and get splashed by the disgusting bucket juice or I don’t spit hard enough and it dribbles down my chin (embarrassing) or down onto my shirt (more embarrassing). So, what’s a very small girl with an average tolerance and 11 tables to go supposed to do?! I limit myself to a two-sip per pour – and often only end up taking one. Sometimes its enough to get the gist of a wine from one long taste – letting it spend more time than usual swishing around my mouth before swallowing – and sometimes I need a small second taste. Don’t feel compelled to finish every pour. I can’t stress this enough! You will not insult anyone if you simply pour out the remainder of your taste into the bucket. If anything it will show that you know you have to pace yourself and you’ll get some major tasting cred. And if any of the other guests give you a hard time for pouring out the wine they’re probably just embarrassed that they’ve been choking down a lot of wine they didn’t particularly care for. That said, if you do get a pour of something you love it is more than acceptable to not only finish the pour but ask for a second one while you move to the next table.

Keeping track. I’m old fashioned – I like to bring a small notebook and pen with me to write down the names of any wines that I loved. If you have an iPhone or a crackberry it is more than ok to bust it out and type the name of the wines you liked into it. You can also ask the pourers if they have any info to take away with you – most of the time they’ll be armed with press releases or some kind of info.

Be polite. The people pouring the wines are there because it is their job. I shouldn’t even have to say it but, say “please” and “thank you.” Also, try not to make this face if you hate a wine:

Asking questions. Alright, here’s where things get tricky. As you’ve learned here…we Americans are used to seeing our varietals right where we can see ‘em – printed clearly and neatly on the label. Unfortunately, things get complicated when you go abroad – particularly to France, Spain, or Italy. Damn those foreigners!

So, here’s where all those nifty maps I’ve made come in handy (click here and here). Most of the time when you’re being poured a French wine, the wine will go by the name of the area where it is from. Knowing which grapes are grown where can be helpful in knowing what grapes are in your glass. (Bordeaux has a traditional mix of five grapes – Cabernet Sauvignon, Cabernet Franc, Merlot, Malbec, and Petit Verdot while anything labeled “Burgundy” is strictly Pinot Noir. Seriously – just look at my old post!).

It is perfectly reasonable to ask the pourer what grapes or varietals (same thing, fancier word) are in the wine but you’ll be showing yourself off  as a newbie and, really, when it comes to French wine, the grapes are not the point – the terroir is the point.

If you’re tasting an Italian wine, things can get tricky since some go by their grape name (Dolcetto, Valpolicella, Nero d’Avola) and some go by their place name (Chianti – which is made from Sangiovese for example). Emphasis is more on grapes and less on terroir for Italian wines, but Italian wines are also much more prone to include obscure hyper-local varietals that you (or I) have never heard of. So you can ask…just prepare your best poker face when you have no idea what the guy’s talking about.

Here are some better questions to ask if you want to know more about the wine you’re drinking:

How many vineyards are the grapes sourced from? (Often if the grapes are sourced from a single vineyard or less than a few, this is a good sign)

What is the area like where the grapes were grown? What kind of soil? (This is a great way to learn more about how geography influences wine as you’re tasting it!)

How many bottles are produced each year? (A smaller amount produced and the more focus the winemaker can give each individual vintage).

What is in here that gives the wine it’s color/nose/backbone/smoky taste? (Is there something unusual or striking about the wine? Asking why it’s there and identifying something that is unique about a wine will impress everyone!)

Where can I buy this wine? (If you love a wine, ask where you can find it!)

So, that’s all I got for navigating a wine tasting. To sum up:

            • If you’re going to get drunk, don’t go.

            • Don’t feel compelled to finish every pour and don’t feel pressured to try something you have no interest in! Just say no thank you and ask to try what you want to try!

            • If you don’t want to spit in public, just commit yourself to a one or two sip maximum and pour out what’s left without feeling badly.

            • Pay attention and take notes if you want to remember something.

            • Ask questions that have answers you actually care about or would understand. There’s no point in asking “what grapes are in this?” if you have no idea what it means that a wine is blended from Roussane and Viognier. On the other hand, ask “what varietals are typically found in wines from this region?” and you’ll sound so much more informed.

            • Enjoy! Talk to strangers and be polite when they like the worst wine you tasted the whole night. Nobody likes a snob. Oh, and I leave you with this picture…which is just…weird: 

           

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So, one of the things I’ve been trying to do lately is actually get out there and spend some more time in the wine world. All of this is, of course, in the name of bringing you more snarky commentary and helpful advice.  One of the ways I’ve been doing this is by trying to attend more wine tastings and let me tell you – boy, it is a jungle out there.

Just this past week I went to two very different tastings (I know, tough life, right?) – the first was Garnet Wines (one of NYC’s most beloved wine shops) First Annual Fall Harvest Wine Tasting on the Upper East Side. Despite what Gossip Girl would have you believe, while there is a small portion of the UES that is inhabited by glamorous rich people, there are also a lot of old people and “young professionals” (bankers, finance guys, lawyers, and the Tory-Burch-clad girls who love them).

Anyways, the tasting was (not surprisingly) mostly populated with respectable looking older     people – the kind of people whose kids I would probably be friends with – and younger guys in yellow sailboat ties. The whole point of the event was to go and try a whole bunch of wines that the store was selling – you could place an order for bottles and cases as you walked around and sipped. It would be fair to say that I, being a female under 30 and the only person in the room wearing skinny jeans and also not in any kind of financial position to buy loads of wine, was the odd man (erm..woman?) out in the room. Nevertheless, I drank some awesome wine and passed a pleasant evening tasting and talking with strangers.

Last night’s wine tasting was a horse of a whole different color. I ventured out to Brooklyn for Second Glass’s Wine Riot. I’ve been talking the event up on this site because, in full disclosure, I’ve known the company’s founder and CEO, Morgan First, since high school and I think the concept behind their company is pretty awesome. This time around the crowd was way younger – mostly people in their 20’s and 30’s, there was music being pumped into the room, plastic stemless wine glasses instead of the usual suspects, and an air of giddy excitement.

These two very different wine tasting experiences placed side-by-side offer an interesting view of how the wine world is changing. The Garnet Wine tasting was far more traditional and so was the audience – the younger people at this tasting were the kind that were suddenly coming into respectability and felt compelled to grow up and learn about wine because that’s what you do!

At another party (this time I freeloaded off of some friends – cheers!) earlier in the week, I talked to a (straight!) Marc Jacobs lookalike about how he’d gotten into whisky as he’d approached 30 exactly because it was something he thought he should know about. When I asked about wine he said that it was something that he thought he’d come around to when he was approaching 40. 40!

The young people at Wine Riot were there because it was an event for them as much as it was about the wine – they were happy to be wandering around sipping wine all night instead of taking shots because the atmosphere was just as amenable to sipping a Jack and Coke as a Barbaresco from Piedmont.

Wine Riot was much more about bringing wine into a space and attitude that young people are familiar with than bringing young people into the “wine world” and the result was total success!

So my take away is this:

1. I’m gonna work on a post about how to attend a wine tasting without looking like an idiot 

2. There is no reason why young people shouldn’t be drinking more wine but the reason they’re not is because it’s still put up on this ridiculous shelf that a lot of people think you’re not supposed to reach until you’re 40 (40?!!).

3. I will continue to work tirelessly to correct the wrongs inherent in #2.

Lastly, what’s the point of going to these wine tastings if I can’t share with you some delicious new finds, right? Below is a list of my favorite wines from both of the tastings – cheers!

Chateau de Paraza Minervois 2009, $9.99: This wine from the Garnet tasting just about ran away with my heart. It is a simple bistro wine – a blend of Syrah, Grenache, and Mourvedre from the Languedoc region that was delightfully savory. It actually kind of tasted like stew and, more specifically, the carrots that you slice through like butter –  so rich.

Segura Viudas Brut Cava, $10: For $10, this is an amazing wine. It’d be no less delicious at $50/bottle.  With the teensiest amount of sugar (7g in a 750 ml bottle – that’s like…nothing!), this is a rich and full-flavored sparkler with an elegant bubble, notes of ripe apples, pears, and almonds.

St. Francis Winery Red Splash 2008, $15: I’ll be honest, this was one of the last wines I tasted at Wine Riot so I don’t remember a ton about it except going back for seconds because it was really yummy. What I can recall is a juicy, rich red wine that drank easily and satisfied.

Au bon Climat Chardonnay, $16: I was really skeptic about this one – I’ve really tried to like Chardonnay, guys, really, I have. But, at the end of the day, I have to admit that it’s just not my favorite. This wine blew my mind – it had just the right amount of slightly toasty oak – lending it a smokey richness that gave way to notes of hazelnuts and pears.

Austin Hope Trouble Maker (Paso Robles, CA), $20: A blend of Syrah, Grenache, Petit Sirah, and Mourvedre, this wine is so-named because, according to the guy pouring it, “It’s lots of trouble to make!” Indeed, the wine is made from grapes from three different vintages (2008, 2009, and 2010).  Besides being weird, it was also really delicious.

David Bruce Sonoma Coast Pinot Noir , $25: I think I’ve made no secret of the fact that I am not the biggest Pinot Noir fan – usually its just too light. But, the PN’s I do love are usually from Sonoma Coast or Santa Barbara and this one is no exception. David Bruce also makes a really good Petit Sirah worth checking out.

2009 Hauner Hiera Salina, $18: This was my absolute, hands-down, favorite from the Garnet Wines Tasting. My tasting notes read: “Wet earth, raspberries OMG”. The nose is where the wet earth comes in and it tastes very rustic until about mid-palette when it explodes into flavors of ripe raspberries. To die for.

Arlaux Pere & Fils Champagne Brut 2009, $36.99: A tiny producer in Champagne that, after one sip, will have you saying, “Veuve wha -?”. With a beautiful floral nose, the first taste is a really lovely “grapey” taste that tapers off into delicate notes of sweet almonds.

2009 Domaine Michel Bouzereau Beaune 1er Cru Les Vignes Franches, $70: Ok, this one is a stretch. BUT! It’s from Burgundy! And it had the most amazing perfume – seriously, like sticking your nose into a bouquet of roses and violets. And the wine was slightly effervescent on my tongue and had really nice savory quality to it that gave it substance.

 

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