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It’s been over a year since I’ve taken the time to write about the 20-something wine palate. Last I checked in, Millenials were mad for Malbec – but that was a while ago and, while I’m sure there are still plenty of 20-somethings throwing back these easy-drinkers from Argentina, there’s plenty more to catch everyone up on.

It’s only taken a year of writing this little wine blog but my friends have finally started to come around to being introduced to different wines that I bring around. And to actually go into wine stores on their own, ask questions, and spend a little money on a wine that they might actually enjoy. The biggest crowd pleaser? Without a doubt, Barbera.

Barbera is a grape indigenous to Piedmont in Northwestern Italy and it makes a wine that is notable for its big juicy fruit, high acidity, and low tannin. Unlike Malbecs from Argentina, which are also incredibly fruit forward, Barberas tend to show flavors of cherries and red plums and, because of the high acid, they are brighter and much more food-friendly. I have a theory that given these wines’ flavor profiles, easy drinkability, and food friendliness, they would easily be the next Malbec if not for their higher price tag. Wine directors around the city of New York have taken note, too, and begun to offer them widely and broadly on wine lists across the city as an affordable and accessible by-the-glass option. For the 20-something who is starting to get comfortable with their palate, maybe into a something a little heavier than their usual Pinot Noir but a little sick of rich chocolatey Malbec, Barbera is a brilliant choice.

Barbera is traditionally a wine of Piedmonte, but there are some truly wonderful examples coming out of Santa Barbara and also Amador County at the foot of the Sierra Foothills in California. Above, I’ve included my two clear favorites from this burgeoning region.

For the more adventurous 20-something wine drinker, I’ve found that another big hit is the Austrian grape, Blaufrankisch. Austrian wines, in general, have seen a pretty significant surge in popularity over the last year – with Zweigelt, Blaufrankisch, and even St. Laurent starting to become a less rare sighting on wine lists and retail shelves. For the 20-something wine drinker who just doesn’t have a taste for Pinot Noir, Blaufrankisch is a great option – it’s light, has really bright acidity, and berry fruits like raspberries, blueberries, and a sophisticated hit of black pepper that makes the nose on this wine instantly recognizable. With just a touch of tannin, this is a good gateway wine into understanding the structure and complexity that tannin can bring to a wine – there’s no way that the average 20-something wine drinker is going to ever appreciate tannin if they’re smacked in the face with it. It has to be a gradual introduction and one that gets more aggressive over time, as the palate warms up to it. Blaufrankisch is another wine that my friends enjoyed so much that it drove them to their local wine shops in search of it.

As far as heavier reds go, I think that a lot of 20-somethings who have the money to spend are big into the reds from Chateneuf du Pape. The price of these spicy, earthy, and moderately tannic wines have fallen as the market has been flooded with more affordable bottles, and millenials are drawn to this very classic French wine. However, for those who have a taste for bigger reds that can’t quite afford to throw down $20 every time they want a bottle of wine, the reds of the Languedoc are a great place to go. Specifically, the red wines of Corbieres are popular and, generally, easy sellers. These are reds that have some of the spice, aggressive fruit, and earthiness that Chateneuf offers, but with softer tannins and a funkier character that is strangely appealing. The price tags on these wines are generally a little gentler on the wallet, too, with good bottles usually retailing for about $12/bottle.

In Corbieres, the main grape is Carignan, which is often supplemented with Syrah and Grenache. Carignan is the main culprit behing the funky character that sets the region’s reds apart. Meanwhile, in Chateuneuf du Pape, Grenache is king.

So, what about the whites you ask? Besides the Moscato craze sweeping the marketplace, there are plenty of other wines that are poised to be a big hit with the 20-something wine-drinking crowd. To start, I think that Rieslings are making a big impression on the 20-something wine drinker – especially with the shift towards the bone-dry style. If there’s one thing that Millienals never want to be, it’s uncool. And sweet Rieslings? They are the epitome of uncool. But dry Rieslings are delicious and 20-somethings are learning this slowly but definitely.

In the spirit of Riesling’s growing popularity in regions across the world, I’ve included here a sample from The Finger Lakes, Alsace, Washington, and the Mosel Region of Germany…all have distinct characteristics that speak to that all-elusive idea of terroir

I also think that Greek Whites are making some decent headway. Assyrtiko, once obscure, is slowly becoming a go-to white wine on many wine lists around the city, and I’ve had some other Greek whites that have just blown me away. These are wines to watch out for. Again, like with the dry Rieslings, these are usually whites with racy – if not downright aggressive – acidity that are crisp and clean, but offer nice fruit and some interesting flavors. Oak, I think, has become a faux-pas as far as 20-somethigns are concerned – an oaky white wine is too much something their mothers would drink and, thus, far too uncool.

The wine on the far left, the Alpha Estate Malgouzia, isn’t actually an Assyrtiko, but it is a wine I fell in love with recently. It has a vaguely minty marshmallow flavor and texture that make it endlessly intriguing from the first sip to the last. Coupled with a bracing acidity, it’s a wine that continues to pique my curiosity weeks after I’ve tried it.

Lastly, as far as whites go, I think that Sicilian whites are piggybacking on the huge surge in popularity of Sicilian reds, and we may start to see more of them. Just like with Assyrtiko and Riesling, Sicilian whites have zingy acidity and unusual flavors that range from orange blossom to stark minerality. They’re cool and weird and so far from what our parents ever liked that I think they’re bound to become strangely popular for such an obscure wine.

I think the biggest insight we can glean into the shifting trends in what 20-somethings are drinking is that younger wine drinkers like wines that have a “cool factor” – whether the grape or the place is a little obscure, a taste for high acidity, and, obviously, the price. If the average bottle is above $15, you can forget about it – you’re not going anywhere fast with this recession-battered crowd. I think, too, that, wines in general made with less oak and a lighter touch are becoming increasingly popular.  I think that two wines poised to make a big impression in the next year are Rioja – those that are made in a more traditional old-world style with restrained oak and less bombastic fruit, and Beaujolais – a wine I love dearly for its subtlety, delicacy, and lightness. We’ll come back around to those two, later. In the meantime, go drink what the cool kids are drinking and thank me later.

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Ya know, Spanish wine is a weird thing. Spain, as a nation, has more acreage devoted to wine production than any other country at 2.9 million acres. For some perspective, California only has a little more than 500,000 acres devoted to wine production and France, the world’s largest producer, squeezes its vast quantity of wine out of just under 2 million acres. And yet, while Spain has more land devoted to winemaking than anyone else, it is only the 3rd largest producer after France and Italy (first and second respectively).

I would also argue that we Americans tend to know less about Spanish wine than we do about other wines from abroad. Or at least that’s how I feel. Want me to tell you what grapes are grown in the Loire Valley versus the Cotes du Rhone? No problem… the answer rolls off my tongue, greased with confidence. Want me to tell you the difference between the wines of Piedmont and those grown in Alto Adige? Psh, please – what do I look like to you? Some sort of amateur?

Alright, tough guy – what are the differences between the grapes used in Ribera del Duero and Rioja? Ermm…umm….uh…I…. what? You know what the scariest part of that question is? It’s a trick question – the grapes are the same. Both regions use Tempranillo! I hear ya, you’re like, wait – what? Isn’t that what makes European wine so confusing? Because every region of every country uses different weird grapes that I don’t know how to pronounce properly?

That’s kind of the beauty of Spanish wine– in many ways it’s actually significantly less complicated than French or Italian wine. For example, while Spain does have its fair share of weird indigenous grapes and there are certain regions that use specific grapes rarely used anywhere else (like Mencia, only used in Galicia), there’s also a lot of continuity across wine regions in Spain that can offer a brilliant lesson in the effects of climate, geology, and geography on winemaking.

When it comes to Spanish red wine, bets are that whatever you’re drinking is comprised of Tempranillo, Garnacha, or a blend of the two. That’s a pretty wild generalization, but it’s also a good place to start. I owe it to Spain to do a full examination of all her wondrous wine regions, and to do it in the same fashion and with the same attention I’ve given to her sisters, France and Italy. But I’m not going to do it today. Because today, what I really want to talk about is Ribera del Duero.

A closeup of the Castille y Leon Wine Region of Spain

A couple months ago, I was invited to a tasting of the wines of Ribera del Duero and I had absolutely no idea what to expect. I had no clue what these wines were all about, but being the giant nerd that I am, I did my homework and a little research. I learned that Ribera del Duero was a wine-producing region located in the Castilla y Leon region. I also realized that the closest thing I’d tasted to a wine from Ribera del Duero were the wines of Toro – pretty much Ribera’s next-door neighbor. I also realized, quickly, that both Ribera del Duero and Toro produce wines from Tempranillo (though, in Toro they like to call it Tinta de Toro).

The famous castle of Castille y Leon

And then I was like, oh, hey! Tempranillo! I know that grape – that’s the stuff that’s in Rioja! Sweet, I got this. So Iwalked into the tasting expecting to experience the ball-busting powerhouse wines I associated with Toro and the flavors of chocolate, oak, and dark fruit that I associated with Rioja.

Boy, oh, boy was I wrong. Dead wrong. Like, leather pants in August wrong. I hardly even know where to start, so I guess I’ll start with the Vega Sicilia, one of the most highly-regarded and revered wineries in the world. It seemed a little unfair that my introduction to the wines of Ribera del Duero would be through the region’s and, indeed probably the country of Spain’s, most prized wine. I felt poised for disappointment because how on earth could this possibly be a fair entry to the wines of the region? It would have been like sipping a LaTour or Mouton Rothschild by way of introduction to Bordeaux. It’s just simply not done.

But I did it. And I was dumbfounded. As I sat and swirled my glass of this ridiculously expensive wine, expecting the heady masculine scent I associated with Rioja and Toro, I was absolutely disoriented by the scents of eucalyptus and roses that wafted up instead. What the hell was going on here? I sipped. The wine was smooth as velvet with soft firm tannins, an ethereal light body and an acidity that kept the whole thing aloft until it had slid, like silk, down my throat. That was the Vega Sicilia Valbuena 2006 –  the least prestigious of Vega Sicilia’s wines, being the one they produced every year. We still had the Vega Sicilia Unico Grand Reserva 2000 to go – a rare wine made only in the best vintages and in extremely limited amounts. This time the nose was all baked cherries with floral notes and some liquorice hovering around the edge along with a whiff of leather. This one had a little more weight to it, anchored by dusty tannins but still held aloft by an astringent herbal quality that kept it unbearably fresh. It wasn’t until you swallowed this velvety conconction that a faint streak of chocolate and earth rushed into your mouth. It was incredible. And so light.

Vega Sicilia Valbuena 2006 on the left, Vega Sicilia Unico Grand Reserva 2000 on the right

I floated out of the seminar and into the elevator to be whisked down into the main tasting room. Surely, I thought, this was all some sort of gross misunderstanding. I must have missed something – these wines were so elegant, so fresh, so pretty! They were nothing like the rich, kick-you-around wines I was expecting from Toro or the warm, comforting give-you-a-hug wines of Rioja…there was more to this than I thought. And so I marched on.

The wines of Ribera del Duero have another thing in common with the wines of Rioja (besides the use of Tempranillo) in that they employ the same classification system whereby they are categorized according to the amount of time they’ve spent in oak:

Cosecha or Joven: These wines usually do not see any oak.  “Joven Roble” and “Joven Barrica” are aged for only three to six months in oak and released soon after harvest. As a result, they are fruity, vibrant, and meant to be consumed young.

Crianza: Aged two  years with a minimum of one year in oak barrels. These wines usually have well-balanced tannins with a medium-to-full body.

 Reserva: Aged three years, with a minimum one one year in oak barrels. After at least one year in oak barrels, Reserva wines are bottle-aged in winery cellars, producing wines that are ready to drink once they are released – they are more intense, richer, and have a longer finish.

Gran Riserva: Gran Riservas are wines that are only produced in the very best vintages. They are aged fro a minimum of five years, with a minimum of two years in oak barrels, followed by additional bottle aging. These are complex, structured, balanced, and the biggest examples of Ribera wines.

The most amazing aspect of these wines though, especially for any drinker familiar with the wines of Rioja, is how absolutely and terrifically different they are. Even though these wines are made from the same grape in much the same manner, they couldn’t be more different.

vineyards in Ribera del Duero

The take away I had from this whole experience was that the wines of Ribera del Duero are incredibly fresh and elegant. Scattered among my tasting notes are phrases like “really light”, “lovely and floral”, “raspberries and violets”, “baked blueberries and cinnamon!” “so fresh”, and “herbal, stony, and juicy”.

One of the reasons that the wines of Ribera del Duero manifest the Tempranillo grape so differently is the region’s geography. Most of the vineyards of Ribera are planted between 2,500 and 2,800 feet above sea level with some vineyards planted even higher. The region’s elevation contributes to wildly fluxuating daytime/nighttime temperatures during the growing season that facilitate healthy ripening of the grapes by day and promote balanced acidity and aromatic complexity at night. The region is also fairly dry, contributing to consistent ripening and soil conditions that are near-perfect with limestone and chalk that help to give the wines structure. But mostly, it’s the region’s elevation that contributes to the unbelievably fresh character of these wines.

That said, while I can surely appreciate a wine that’s gonna kick me around a little bit (see: my love affair with Priorat) – I absolutely fell in love with the younger wines of Ribera del Duero because they were so pretty and bright and fresh. That’s not to say I didn’t like the Riservas and Grand Riservas I tasted – they are more complex, more elegant, and more serious grown-up wines. But, for me, the region’s real charms were on full display in the flirty and vivacious younger wines –the Jovens and the Crianzas. 

This time of year is especially perfect for these young wines of the Ribera del Duero. Here in New York, Spring has unfurled her flowers and tree branches and now turned a cold shoulder on the city – turning the sky gray and the air chilly again. And for this, the wines of Ribera del Duero – floral and pretty, but also substantial, are perfect. Take a look at some of my favorites below and, oh, did I mention that they’re also wildly affordable with a median price that lands somewhere between $10-$15/bottle? Yeah. You’re welcome.


D.O.5 Hispanobodegas, S.L.U 2010 Vina Gormaz: 
This joven is made from very old vines that lend a complexity and concentration to the wine that is pretty unreal. Fresh raspberries on the nose lead to a wine that has a tightly wound structure that carries the aromatics from the nose through to the palate.

Hacienda Ernestina Solano Roble 2010: This joven is light, fresh and has an absolutely gorgeous nose of flowers and fresh fruit.

Pagos de Valcerracin 2008: This Crianza was so different on the nose with notes of earth, tar and even a whiff  of petrol that made me think of Reisling. On the palate, however, the wine exploded into something floral with a sweet vanilla-laced flavor and sun-ripened blackberries.Blew me away!

Pasquera 2009 Tinto Pasquera: Baked strawberries on the nose and a scent of canned cranberry sauce. It’s juicy and really drinkable.

Bodegas y Vinedos Neo 2009 Sentido Cosecha: An unbelievable nose of baked blueberries and cinnamon leads to a wine that is light and spicy with amazing balance.

Bodegas Vizcarra 2008 Celia Crianza: More of that beautiful blueberries-and-violets scent on the nose that just makes your mouth water. It smells like berry pie and fresh flowers and on the palate is light and silky.

Carmelo Rodero 2005 Valtarrena: A single vineyard Reserva that was soft, spicy, sweet and incredibly fresh.

Adarezo 100% Unoaked Vina Villano: This wine was so refreshing it was like drinking juice – blueberries and raspberries jumped out of the glass, mingling with floral perfume. On the palate it had sparkling juicy acidity and tight tannins to hold it all up. Even, at the end, a faint trace of watermelon…just lovely.

Hijos de Antonio Barcelo 2007 Vina Mayor Crianza: Really light and floral with a lovely plummy character – absolutely delicious. Right next door to Vega Sicilia’s vineyards so the quality is pretty amazing.

 

 

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Interested in spending this rainy NYC weekend indoors strolling through one of the city’s largest and most expansive wine tastings? This weekend is the New York Wine Expo and, although it starts tonight, there’s still time to get your ticket!

Why bother? Because for $85 tonight (6-10 pm) or $95 tomorrow (2-6pm) you can taste as many wines as you want (or can – drunkies, I’m lookin’ at you) from ALL.OVER.THE.WORLD. Never tried a wine from Portugal? Interested in tasting your way through Italy from north to south? How about a trip around France’s most famed wine regions? Maybe you just want an opportunity to learn or pick up some tips…It’s all possible.

I’ll be there! And I’ll be tweeting the whole thing live – from the word on the latest trends, to insights from winemakers and drinkers alike, and any surprisingly stupendous sips I encounter along the way. Definitely tune in and follow me on twitter (@forgetburgundy) if you don’t already – I predict that as the night goes on and I get more wine in me, things will start to get interesting.

For more information, go the event’s website: http://www.wine-expos.com/Wine/NY/

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Ah, Valentines Day. I can’t believe it’s almost here already!  That most singularly reviled holiday amongst singletons and couples alike. Singletons get sad that they’re all alone while couples often buckle under the pressure of concocting the perfect day. No wonder it’s a holiday so often associated with that most luxurious quaff, Champagne – perhaps the most pleasant way to a quick buzz (amIright?). Read into it what you want (and surely one too many movies have used the euphimism of the exploding cork for certain, ahem, activities) but Champagne is certainly a wine that exudes romance; famously finicky and hard to make – yet endlessly indulgent and exceedingly delicious when done right. Just like any great relationship, right?

Whether you’re planning on serving Champagne with one of its famously aphrodisiac companions or sipping it with the gals while watching SATC reruns, I’ve rounded up 10 wonderful Champagnes and sparkling wines (because it can only be called Champagne if it’s actually from Champagne. Want to learn more about that? Click here.) available for your purchasing pleasure around NYC right this way on my very favorite fashion site, Refinery 29.

PS: Wanna learn all the nitty gritty that goes into Champagne? Head over to my blog post: “Champagne: So much more than a bubbly wine that’s fun to mispronounce”

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That’s right, I’m blatantly attempting to co-op some gooogle searches by making a OWS reference…but who can blame me? Tis the season, after all, and what are the holidays really good for if not being shameless? So anyways…

Tasting some gorgeous sparklers by candle ligh at Winston's Champagne Bar in NYC

There’s nothing more apropos of a celebration than the spectacular pop of opening a Champagne bottle and the effusive gush of bubbles that comes next. Although we may call it Champagne, in America at least, just as often as not, the sparkling stuff we’re toasting with isn’t Champagne at all – it’s a sparkling wine.

So, what’s the big deal? The French – the only ones who make true Champagne aren’t too keen on letting just any one borrow the name. True Champagnes are produced only from Chardonnay, Pinot Noir, or Pinot Meunier grapes grown in the Champagne region of France and produced using the traditional méthode champenoise. But you knew all that, didn’t you, dear reader?

While Champagne may be the wine. that started it all, when it comes to sparkling wine, there are more options that are just as delicious and not nearly as expensive than ever before. Seeing as the holidays are quickly approaching and ‘tis the season for celebration, I’ve rounded up some great alternatives to the season’s favorite bubbly libation, Champagne.

Before we get started on some wonderful & affordable Champagne alternatives, if you want to try a great Champagne, try Taittinger Brut Prestige Rose NV ($50):  A gorgeous salmon color, this Rose features a toasty nose that has hints of burnt rubber and an extremely gorgeous fine bubble. On the palate, ripe berries and bright acidity make this a beautiful and delicious example of the best Champagne has to offer. 

*Note: Crémant is the indicator that the French came up with to connote sparkling wines from French regions other than Champagne, so anytime you see a wine labeled Crémant you’ll know you have a sparkler on your hands.

Crémant D’Alsace is the sparkling wine made in Alsace, France’s main Riesling-producing region. That said, these wines are often produced with – you guessed it! – Riesling, along with Pinot Blanc, Pinot Gris, and Pinot Noir. These sparklers are made using the same production method as Champagnes and can range from slightly sweet (demi-sec) to dry (brut) and extremely dry (extra brut). Cremant D’Alsace is usually considered a refreshing, floral, and crisp sparkling wine.

Try: Domaine Agape Cremant D’Alsace NV ($19)

Crémant de Limoux: Limoux is a region in the south west of France and the main grape of the region is an obscure varietal called Mauzac, but another local varietal called Blanquette along with Chardonnay and Chenin Blanc are also grown here. Some believe that Limoux is the birthplace of the méthode champenoise – stumbled upon by monks in the 16th century. These sparklers tend to show the biscuity, herbal, and yeasty flavors that drive some Champagne lovers wild.

Try: Domaine J. Laurens Cremant de Limoux Brut Les Graimenous 2008 ($18)

 Blanquette de Limoux: Produced from the same grapes in the same region as Crémant de Limoux, these wines are set apart by a restriction on the percentage of Mauzac that must be used (90%). The other 10% can be Chardonnay, Chenin Blanc, or a mixture of both. Mauzac lends these wines a distinctive taste of apple and spices (very cider-ish), and sometimes aromas of fresh cut grass.

Try: Antech Blanquette de Limoux Grande Reserve Brut ($15)

Crémant De Jura: Jura is a small region located along France’s border with Switzerland and is known for making a unique style of oxidized white wine that have a distinct taste and orange hue. White and rosé wines can be produced from local obscure grapes Poulsard and Trousseau and also Pinot Noir, Chardonnay, and Pinot Gris. These sparklers often have a musky aroma with flavors of ripe peaches and orange peel.

Try: Philippe Bornard Cremant De Jura NV  ($22.99)

Crémant de Loire (aka Vouvray Brut): Vouvray is the name of the region most commonly associated with sparkling wines from France’s Loire Valley, but the region also produces still wines. Either way, these wines are made from Chenin Blanc, a grape with naturally high acidity – making it great for pairing with food. The wines produced from this grape also have a sweetness followed up by characteristic minerality. Sparkling wines from the Loire Valley are often especially aromatic and beloved for their honeyed floral perfume.

Try: Bouvet Brut NV ($12) – This non-vintage sparkler made from 80% Chenin Blanc and 20% Chardonnay comes from the second oldest winery in the Loire Valley. It has a very buttery and yeasty nose that comes from having been made in the methode champoinese. On the palate there is bright acidity and sweet minerality balanced by notes of lime and citric peel.

Prosecco: This Italian bubbly has only become more popular as a Champagne substitute and for good reason – it’s very affordable and makes a light crisp sparkling wine. Prosecco is made from a grape that goes by the same name and is not made in the same way as Champagne; its secondary fermentation usually takes place in steel tanks rather than in-bottle.

Try: Caposaldo Prosecco ($12) – This Prosecco is always made to order so it’s unbelievably fresh! With a nose of bubblegum, this sparkler has the kind of clean palate that boasts flavors of pears and a slight minerality that would make it a perfect appertif. Slightly sweet and with a creamy bubble, this is a lovely little wine.

Asti: Another Italian sparkler, Asti is a sparkling wine made throughout the northern region of Piedmont. Made using the same technique as Prosecco, rather than with the méthode champenoise, Asti is produced from the Moscato Bianco grape. Speaking of Moscato, Moscato d’Asti is made in the same region (Asti) from the same grape, but is only slightly sparkling (frizzante) and tends to have less alcohol. Both, however, are sweeter wines that tend to have a very floral bouquet, and flavors of ripe peaches, nectarines, and apricots that are balanced by high acidity.

Try: Michele Chiarlo Nivole Moscato d’Asti DOCG 2010 ($15): Honey and white flowers on the nose are followed up by sweet ripe peaches on the palate and held up by enough acidity to keep the sweetness from becoming cloying. Delicious!

Cava: Cava is a Spanish sparkling wine that is made using the same technique as Champagne using the traditional macabeu, parellada and xarel·lo grapes. Cava, like Champagne, can range in style from very dry (brut nature) to sweet and is a great celebratory sparkler that is usually very crisp and refreshing.

Try: Poema Rosado NV ($11) –  This Rose is a very deep blush – almost ruby colored. With a nose of tar and roses, it’s easy to tell at once that this is not your ordinary rose. On the palate are flavors of bright red fruits like cherries and raspberries, a juicy acidity, and the slightest sweetness.

Happy Holidays and a Wonderful New Year to you all! I leave you with this:

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Photo Courtesty of Katie Sokoler, colormekatie.blogspot.com

Jonny Cigar, one part performer to two parts wine geek, is the self-appointed master sommelier behind the city’s coolest underground wine salon, The Noble Rot.

Cigar’s impact on the New York City wine scene has been palpable; he was recently proclaimed one of the city’s new wine prophets by Time Out New York. He says it is crucial to point out that he has no official wine education – but he has studied performance and theater.

“I went to school for performance. What the hell am I doing?” Cigar said of his initial thoughts on receiving the news that he’d been named a “wine prophet.”

Cigar’s flair for the dramatic extends from his name (he was born Jonathan Cristaldi), to his bespoke three-piece suits and penchant for bow ties. At Noble Rot events, Cigar is known for his habit of introducing the evening’s theme and wines through dramatic readings, soliloquys and even the stray Frank Sinatra impersonation.

Meeting over tea on a chilly fall afternoon in the West Village, Cigar was in one of his signature three-piece suits with matching tie and pocket square – folded just so. Cigar has an easy grin and a mixture of sophisticated confidence – emphasized, perhaps, by his sense of style – and an endearingly goofy sense of humor that makes it easy to believe he’s a theater kid at heart.

“I should be a drama dork somewhere researching history for some big Broadway production getting paid big money to do that and instead I’m drinking and drinking professionally!”

The Noble Rot has come a long way since its first event. A few years ago, armed with not much more than a budding interest in wine and a mailing list from his performance art residencies at various downtown theaters, Jonny Cigar set out to hold a tasting of the best wines available for $10 or under. He found a

Photo Courtesty of Katie Sokoler, colormekatie.blogspot.com

rooftop, got together some friends to play music and make food and voila! The Noble Rot was born.

Cigar’s budding interest in wine sprouted, Cigar said, when he started drinking wine with the man who would become his father-in-law.

“My wife’s father is a serious collector of Burgundy and Bordeaux and old Italian wines – Brunellos and Barolos. So he would open up all this crazy stuff, I mean he doesn’t like to drink anything that’s not at least 20 years old, and so I’m dinking these wines and I didn’t know anything about them but I know there’s something special.”

His future father-in-law gave him a copy of a book called The Billionaire’s Vinegar about a wine fraud scandal that tore through the fine-wine collecting circle of the 80s and 90s. Cigar devoured the book in a single plane ride and found himself fascinated by the whole world and especially by the stories of extravagant vertical and horizontal tastings of first growth Bordeaux.

“I just thought, ‘This is very cool!’ I was really involved in the supper club scene and I thought, ‘I’m gonna start a supper club about wine so I can learn while doing it with a group of fun interesting people,’” Cigar said. “And it was sort of enlightening – we had a bunch of food and had a blast and we sort of took off from there.”

Time Out New York’s proclamation came just days before Cigar returned to New York City from a five-month trip to Napa that he’d taken in the wake of a professional break with his previous Noble Rot business partner.

“We tried really hard to hash out a business plan and in doing so we realized we had a lot of differences so we split ways,” Cigar said. “It came at a good time.”

Cigar seized the opportunity to get out of town and regroup.

“So I thought I will go west and look for gold!” Cigar riffed before taking a serious note. “The whole idea was to get an education, to completely immerse myself, and to get in from the ground up.”

Preparing for his move to Napa, Cigar set out to find work in a tasting room or a cellar and convinced himself he’d be spending most of his time knocking on doors and looking for work. Cigar caught a lucky break, however, when a new Sonoma winery called Ram’s Gate hired him to help launch their brand.

The Napa Valley, for all of the wine-fueled romanticism that surrounds it, is still very much farmer’s country and Cigar soon found his sartorial inclinations out of step with the community.

“I was the only guy in the whole valley wearing three piece suits,” he said. “I’d walk into the bank and people would get nervous because they didn’t know what to think, it was like ‘Oh god, whats this guy?! Whats he doing?’”

However, Cigar had no intention of trading in his custom-tailored jackets for overalls and, eventually, his sleek suiting helped to land him another job.

Cigar, dressed down in jacket & jeans, in Napa

Near the end of his two-month gig with Ram’s Gate, Cigar was invited to an event at a little known but beloved boutique winery owned by the Swanson family (yes, the Swanson family of frozen TV Dinners fortune).  The Swanson Vineyards & Winery hosts three by-appointment-only tastings a day in their tasting room, which they call the Salon, styled after the swanky Parisian salons of the 18th century, with intellectual discourse over good food and wine.

Cigar met the Swanson family patriarch, Clarke Swanson, decked out in a double-breasted suit at one of these events, and they hit it off immediately. Soon after, Cigar began hosting appointments in the Salon at the winery. When he wasn’t reciting passages of The Great Gatsby or serenading wine tasters, Cigar was doing grueling but, he said, fulfilling cellar work for another winery, Alpha Omega.

Having returned to New York City with a whole new appreciation of the winemaking process, and enlightened by his experiences in Napa Valley, Cigar has big plans for The Noble Rot.

“I’ve realized that I like a smaller more intimate group. I want our events to become a place for people to really come and learn about wine, and not only learn but experience something new,” Cigar said. “And also to be a conduit for people [who are] looking for hard-to-find awesome boutique wines – I want to be the place for that.”

Cigar’s first Noble Rot event since he returned to New York, a 2011 Harvest Party to “celebrate this year’s harvest from set to crush,” was an opportunity for Cigar to share his favorite stories and insights from working in Napa.

He greeted all of his guests that night with a glass of Cava – saying that the Spanish sparkling wine was a tribute to the Mexican workers who did much of the harvest’s work. Coming from anyone except the endearingly sincere Cigar, this could have been a gaffe but bravely wearing two paisley patterns that somehow meshed, Cigar pulled the whole thing off with charm to spare.

Once the small group assembled, Cigar regaled the small crowd with his favorite harvest stories while pouring wines from the wineries he worked for in Napa (Swanson Family Vineyards & Alpha Omega). When it was time to eat, he’d brought in The Brothers Green, a fraternal duo who run the same supper club circuit as Cigar, for a feast of tacos – another homage to the migrant workers and the end-of-day meals he ate with them.

Cigar plans to keep hosting events for The Noble Rot but is thinking of retooling The Noble Rot so that it’s membership only. He went on to say that he wanted to work his way into making The Noble Rot into a tiered membership, like a wine club.

“But the greatest wine club on the face of the earth,” Cigar said with confidence and a not a hint of histrionics.

Jonny Cigar’s Wine Picks:

I had to ask, what is he drinking these days?

“I’m big into Syrah right now – I just feel like it’s starting to turn crisp and cold and I love a good robust Syrah from California,” said Cigar.

I also asked Cigar, in honor of his recent trip to Napa to give me his five favorite California wines of the moment. Here’s what he had to say:

 Robert Foley Vineyards: “A wine I could drink all the time anytime is The Griffin. It is such a heartwarming delicious wine that’s got these subtle chocolate notes that are just outrageous.”

Covenant Wines: “A really outrageously delicious wine. Jeff Morgan is the winemaker and not only does he make a kosher wine, but it’s the best kosher wine on planet earth (according to Robert Parker).”

Pinot Noir from Carneros: “I have become a huge fan. I recently discovered Saxon Brown and Flowers makes a good Pinot, too.”

Ram’s Gate: “They are producing elegant wines with superb structure, aromas and will age beautifully

Gemstone: “ I had the opportunity to taste this wine right before leaving and I would say that its one of my favorite wines now.  So good.”

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Head right this way for Vine Talk’s Thanksgiving Wine Picks penned by yours truly! Instead of the usual suspects (Champagne, Beaujolais Nouveau, Pinot Noir, ect.) why not go for something off the beaten path? Picks include some of my new crushes, Blaufrankisch, Cremant de Limoux, and Courbieres Blanc.

Got questions on a specific pairing? Want more suggestions? Leave me some comments and…

Enjoy!!!

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I have a horrible habit of thinking it’s hilarious to pronounce Champagne like “Champ-Ag-Nee.” Regardless of how you want to say it, Champagne is weird stuff. At its most interesting, Champagne is a product of sheer ingenuity – of centuries of curious tinkering, trial, and error. At its most expensive, Champagne is one of the most successful tales of marketing in the history of food and beverage. And at its most refined, Champagne is the stuff of delirious gustatory delight and celebration.

So, what exactly is Champagne?

Champagne is a sparkling wine made from Chardonnay, Pinot Meunier, and Pinot Noir grapes that are grown exclusively in the Champagne region of France.

Queue the sound effect of tires coming to a screeching haltPinot Noir? But that’s a red grape! And Champagne is white!

Not exactly – the skins of the Pinot Noir grape (and the Pinot Meunier grape for that matter) are most definitely red but(!) the juice of the grape is actually white. If you separate the juice from the skin early in the wine making process, you’re left with the makings of a white wine.

Champagnes made from only Pinot Noir grapes or a mixture of Pinot Noir and Pinot Meunier are called Blanc de Noirs (literally translates to “white from red”). Similarly, Champagne made from 100% Chardonnay grapes is called a Blanc de Blanc (white from white). In a similarly confusing fashion, most Champagne is made from a mixture of grapes harvested in different years (usually marked N.V.). However, if a particular year (aka vintage) proves to be exceptional, under the laws of the powers that be, a Champagne Vintage may be produced that contains grapes exclusively from that one year.

Pretty Champagne vines in Fall

In Europe, where they are much stricter about these things, not only must a wine called Champagne be made from grapes grown within this small region, but that wine must also be produced by a specific and traditional method (here in America, we’re not so particular – you can slap “Champagne” on a $5 bottle of Andre. God bless America!). This method requires that the effervescence, or bubbles, in Champagne be produced by a second fermentation in the bottle.

This means that, to start, Champagne is made just like any other wine – the grapes are harvested and thrown into a fermentation tank along with some yeast. The yeast converts the natural sugar present in the grapes into alcohol and voila! A wine is born. To make that wine into Champagne, it is poured directly into the bottle along with some extra sugar (called dosage), some more yeast and set aside to age for a minimum of 1.5 years or 15 months. During those years when a vintage is declared (a year when the harvest is exceptional), bottles must be allowed to age for twice as long – for a minimum of three years.

Merci, Madame Clicquot!

For a long time, because yeast and sugar were introduced directly into the bottle, Champagne was a cloudy wine – it had all kinds of fun particulates floating around! It was the infamous Widow Clicquot (of Veuve Clicquot) who introduced the use of something called a riddling table (a table that holds Champagne bottles upside down so that the sediment from secondary fermentation settled into the neck of the bottle and made it easier to draw off) that was used to produce the sparkling clear Champagne we know and love today.

Notice: A guy all decked out in formal top hat and tails and an elegant evening-gown clad lady.

So, if Champagne is such a specific wine why do we have a habit of calling any old sparkling wine Champagne? This is where we get into a case study of brilliant marketing. Even before it came to resemble the stuff we drink today, Champagne had long been treasured by European royalty and French aristocracy and imbibed at official ceremonies and celebrations. The method champenoise wasn’t introduced until around 1700 (and, coincidentally, not in Champagne but probably somewhere in the Languedoc region). Before the method was introduced to the winemakers of the region, Champagne was imbibed as a still wine, and often only during celebratory occasions – it was, even back then, the good stuff you busted out for company. Champagne, then, was always a wine associated with luxury, prestige, and celebration.

During the 1800’s Champagne houses and producers took advantage of their product’s rarified past and began marketing it to the burgeoning middle class at home and abroad. Take a look at any old Champagne ad (if you don’t already have a poster up on your wall) and you’ll see the instant appeal.. Needless to say, the Champagne industry did gangbusters.

However that success was not built entirely on marketing a lifestyle – Champagne is amazing stuff. The range of styles; from delicate, floral and dreamy to biscuity and savory younger varieties to the rich and complex mature examples make Champagne exactly the kind of indulgence that pairs perfectly with just about any occasion.

So, to review:

A true Champagne may only be made from Chardonnay, Pinot Noir, and Pinot Meunier grapes grown within the Champagne appellation and subjected to the traditional and specific method of secondary in-bottle fermentation

Methode Champoinese is the traditional method by which Champagne is produced. Sparkling wines that are made in other regions may indicate that they were produced in this same fashion. If you see a sparkling wine that has Methode Champoinese or Methode traditionelle on the label, it just means that the wine was made using the same technique as Champagne – with the secondary in-bottle fermentation and aging.

Blanc de Blancs is Champagne made from 100% Chardonnay grapes. You may see other sparkling wines that are called Blanc de Blancs – and they may be made from white grapes other than Chardonnay.

Blanc de Noirs is Champagne made from either 100% Pinot Noir or a mixture of Pinot Noir and Pinot Meunier. You may see other sparkling wines that identify themselves as Blanc de Noirs – this just mean’s they’re made from red grapes, not that they’re Champagne.

Vintage : A Vintage Champagne means that all of the grapes used to make the wine (regardless of varietal) were harvested in the same year and that that year produced an exceptional harvest. A Vintage Champagne also means that the wine was aged for at least 3 years in the bottle. If you see N.V. on a Champagne label, it means that the wine was not produced as a Vintage and could have been made from grapes from different years.

Brut, Extra Brut, Sec, and Demi Sec are all terms that are commonly found on Champagne labels as well as on the labels of other sparkling wines. Brut indicates a dry wine; Extra Brut means, incidentally, extra dry; Sec means sweeter than Brut but still on the dry side; Demi Sec is used to indicate a sweet sparkling wine.

Next week, I’ll be looking at sparkling wines other than Champagne – Prosecco, Cava, Cremant, and New World sparklers. Stay tuned!

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Last night, I had the privilege of attending a blind tasting class at New York Vintners in Tribecca. The tasting was hosted by the venerable Bob Millman, whose company, Executive Wine Seminars (doesn’t that just sound so professional and serious?), has been hosting big deal wine tastings since 1981.

  New York Vintners is a pretty cool little spot – upon first inspection it just looks like a hipper-than-your-grandma’s wine shop. But take a closer look and you’ll notice that there’s a whole second half to the store – a space devoted entirely to wine education and tastings.

The store employs their own chef who hosts classes revolving around food and wine pairings and also caters the private dinners and tastings offered. Being that the store is relatively close to Wall Street, they get their fair share of banking big wigs and hedge fund guys coming through to nibble on expensive food and gulp big-deal wines.

In fact, New York Vintner’s owner, Shane Benson, was a Wall Street guy himself, once upon a time.  But we’ll get to him later.

I really wasn’t sure what I was getting into heading into last night’s tasting. I was a little bit intimidated by Bob Millman and thought I was headed right into a lions’ den of pretentious swirling, sniffing, and declarative statements regarding obscure bouquets and flavors. Happily, I was dead wrong. Instead of being greeted by a bunch of guys wearing monocles with slicked hair and ascots, I was greeted by a glass of Gruet Blanc de Noirs (sparkling wine) from New Mexico.

The tables were occupied by groups of single ladies, couples, and me. In line for the bathroom one half of a couple commended me for being “brave” and coming on my own. That’s a post for another day.

The tasting was what Bob called “double blind” – we had no idea what wines were being served except that there would be three whites and three reds. Before we dove into the white wines, which sat winking before us, Bob gave a quick presentation on how to approach tasting a wine. The quick and dirty of the presentation was this:

Appearance: Clarity & Intensity. For white wines, this meant taking a look at each glass and noting how intense the color was. Bob pointed out that the deepest, most golden of the wines was made from the ripest grapes. Ripe grapes, Bob went on to tell us, usually means more sugar and lower acid. For red wines, however, color can be a decent indicator of age (wines change color as they get very old – almost always to a brick or orangeish color) varietal (some grapes are naturally much darker – like Syrah) and tannin since the color is derived from the juice’s contact with the skins and tannin comes from the skins.

Aroma: Bob talked about swirling wine and why we do it – to bring up the bouquet. He also taught us a little technique that can come in handy if a wine has a “shy” bouquet (ie not easily detected). If a wine just refuses to open up he suggested swirling the wine with a hand over the top, then releasing your hand just as you stick your nose in the glass. This technique, Bob offered, can help whip up and then trap the odiferous vapors. I’m skeptical of how much this would help seeing as I’m not sure I believe that vapors magically appear by swirling – you need heat for vapors!

Palate: To discuss the “taste” of a wine, Bob gave us a few factors to consider:

Sweetness: A big part of wine is the result of converting sugar into alcohol. Residual sugar will show up in a wine when the wine maker stops this process from completing all the way (leaving some sugar behind) or when the wine maker adds sugar to a wine after the fact. Usually when we’re talking sweetness, we’re talking desert wines.

            Acid: Bob Millman is a self-professed “acid freak” and most serious wine drinkers would agree that acid is super important. When a wine has low acid it can seem sleepy or dull. But a wine with enough acid is awake and alive.

            Tannin: Tannin comes from grape skin – which is why you don’t usually find a lot of it in white wines. Tannin is also, for that same reason, the factor that keeps a lot of wine drinkers away from red wines. Tannin can be rough and unpleasant or it can lend structure and body to a wine. Bob used the anecdote that the French love to drink their wines young and tannic (sometimes I like to think of these as wines that kick your ass), the British like their wines old and soft (tannin breaks down with age), and the American’s just like their wine.

            Alcohol: Up until the 1980’s most wines had a respectable 11-12 1/2 % alcohol. Queue Global Warming and you’ve got wines weighing in with a hefty 13-14%. All that alcohol contributes body and(!) gets you drunker.

            Body: Here’s a tricky one. When you talk about body, what you’re really talking about is how much of your palate the wine hits before it disappears. Some wines only really hit the tip of your tongue before they vanish – these are super light bodied wines. Some wines will linger through, hit the middle of your mouth (mid-palate and usually middle body) before saying Au Revoir! But a big, full bodied wine will fill up your whole mouth, and then linger after you’ve swallowed.

            Flavors: Everyone gets different flavors from different wines. Next….

            Finish: Once you’ve swallowed a wine, how long does it linger? Does it give out and vanish right away? Does it leave a watery after taste? Or does it hang out and stay a while in your mouth?

Once we were all well-versed in the proper tasting technique, we got to actually downing some vino. I, of course, was playing a little game with myself trying to guess the varietals of each wine. I lost. Like, seriously – lost. But! To be fair, the sommelier snuck in a really obscure white wine from Sicily made from a varietal so obscure (Inzolia) that he’d only heard of it for the first time the week before (it was a super light and racy white wine that was so acidic it was almost briny). I don’t even count that one.  We also tasted an oaky Cotes du Rhone Blanc (Viognier, Roussane & Marsanne blend) and a gorgeous Verdejo from North-Central Spain.

As for the reds, we tasted a Rosso di Montalcino (made entirely from Sangiovese – the oak should’ve given it away! Damn!) that I thought was either Beaujolais or, perhaps, a Dolcetto. We followed that up with a 2009 Bordeaux (a super ripe vintage that tricked even Bob into thinking we were sipping on a fruit-bomb California Cab) and my personal favorite – a 100% Syrah from the Rhone that was unctuous on the nose (comments from the peanut gallery: “It smells like dank dirty ass!”) and just gorgeous on the palate. I thought it was a Nebbiolo because of the barnyard-and-tar aroma. Wrong. Again. Lastly, we were surprised with a fourth wine when the winemaker showed up near the end of the tasting and threw his wine into the mix. This last wine was a real treat – an elegant, smooth Cabernet Sauvignon/Cabernet Franc blend from South Africa that we were all happy to have tacked on to the end.

The tasting over, I tucked into a conversation with some of the people sitting around me while the staff poured the leftovers for anyone who wanted them. Usually, I’d be embarrassed to admit that I was one of the last two people to leave, but I was rewarded with a glass of an unbearably delicious Barbera d’Alba (you know how I love me some d’Alba anything!) and a great conversation with the owner, Shane.

Wearing a rediculous tye-dyed shirt (I warned him I’d have to give him shit about the shirt), Shane told me his story – how he went from culinary school to Wall Street (seriously, you’d never think it from the tye-dye) to owning New York Vintners. We talked about how the wine world is exploding, that people should drink what they like (even if its $3 wine from Trader Joes), and how we can’t wait to see wine snobbery fly out the window. Both Bob and Shane told me that the Blind Tasting class was their favorite class because it was a great way to introduce people to the right way to thinking about wine. Freed from expectations, people could approach each wine with the simple question of, “Do I like it and why or why not?” – which is exactly how everyone should find the wine they love.

Shane and his team have built a super friendly, relaxed, and fun space to taste and learn about wine. Especially if you’re interested in the relationship between food and wine, I’d head over to their website and take a look at the classes. Many of the people I talked to at the tasting had already been to three or four classes and had come back for this one. At $50 a pop for at least three glasses of wine and food, it’s a real value and a great way to spend an evening.

            Psst….! PS. Keep an eye out for a post coming up about Champagne & Sparkling wines and a fall wines roundup I’m working on! Cheers!

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            Look, I totally get it. I’m not so jaded and sophisticated that I don’t understand the appeal of going to a wine tasting for the “free booze” but if that’s why you’re thinking of attending a wine tasting you might want to think again.

Wine tastings are a great opportunity to try a lot of different wines – maybe a lot of different wines that you’d never have the chance to try again! And yes, they can also be an occasion for lots of drinking on the cheap…a $15 dollar ticket to what is basically an open bar? I hear ya! You’re like, “where do I sign up?!”

And while I’m all about pushing aside staid conventions and having fun with wine, a wine tasting is no place to get wasted. You’ve got to think about it from the point of view of the people hosting and working the event – sure, they know you’re there because you might leave drunk, but they’re also there hoping to introduce their product and perhaps do some business.

If you don't pace yourself, you could look like this.


            Ok, enough with the semi-lecturing and onto the good stuff….

Do a walk around before you start tasting. Grab your tasting glass from the front and do a quick round of the room. Realistically, you’re not going to get a chance to try everything so make a mental note of the tables that have wines you’re really interested and hit those first – before you get too buzzed to remember any of your tasting notes.

Rinse your glass between tables. You walk into the room and you do your scan and you see a bottle of club soda or soda water on every table and you’re like, “Gee, that’s so nice that they’ve put something out for the people who came here and don’t drink!”. Yeah, no. The seltzer is for rinsing out your glass between tables.

Generally, you should rinse your glass if you’re going from reds to whites (or visa versa) at the same table, or even if you’re switching between totally different varietals from pour to pour (from a Cabernet Sauvignon to a Pinot Noir for example) so the flavors don’t get muddied. It’s up to you how often you rinse your glass – some people do it after every pour and some wait until they’re switching colors or tables. You want to pour in a small amount of the soda water (sometimes its just plain old regular water), swirl it around, and pour it into the spitting bucket. If anyone sees you drinking this water, it will be a dead giveaway that you’re a newbie! Generally they’ll provide ice water or water bottles at a tasting that are for drinking.

The spitting thing. I can’t spit in public. I just can’t – its gross and, inevitably, I either spit with too much force and get splashed by the disgusting bucket juice or I don’t spit hard enough and it dribbles down my chin (embarrassing) or down onto my shirt (more embarrassing). So, what’s a very small girl with an average tolerance and 11 tables to go supposed to do?! I limit myself to a two-sip per pour – and often only end up taking one. Sometimes its enough to get the gist of a wine from one long taste – letting it spend more time than usual swishing around my mouth before swallowing – and sometimes I need a small second taste. Don’t feel compelled to finish every pour. I can’t stress this enough! You will not insult anyone if you simply pour out the remainder of your taste into the bucket. If anything it will show that you know you have to pace yourself and you’ll get some major tasting cred. And if any of the other guests give you a hard time for pouring out the wine they’re probably just embarrassed that they’ve been choking down a lot of wine they didn’t particularly care for. That said, if you do get a pour of something you love it is more than acceptable to not only finish the pour but ask for a second one while you move to the next table.

Keeping track. I’m old fashioned – I like to bring a small notebook and pen with me to write down the names of any wines that I loved. If you have an iPhone or a crackberry it is more than ok to bust it out and type the name of the wines you liked into it. You can also ask the pourers if they have any info to take away with you – most of the time they’ll be armed with press releases or some kind of info.

Be polite. The people pouring the wines are there because it is their job. I shouldn’t even have to say it but, say “please” and “thank you.” Also, try not to make this face if you hate a wine:

Asking questions. Alright, here’s where things get tricky. As you’ve learned here…we Americans are used to seeing our varietals right where we can see ‘em – printed clearly and neatly on the label. Unfortunately, things get complicated when you go abroad – particularly to France, Spain, or Italy. Damn those foreigners!

So, here’s where all those nifty maps I’ve made come in handy (click here and here). Most of the time when you’re being poured a French wine, the wine will go by the name of the area where it is from. Knowing which grapes are grown where can be helpful in knowing what grapes are in your glass. (Bordeaux has a traditional mix of five grapes – Cabernet Sauvignon, Cabernet Franc, Merlot, Malbec, and Petit Verdot while anything labeled “Burgundy” is strictly Pinot Noir. Seriously – just look at my old post!).

It is perfectly reasonable to ask the pourer what grapes or varietals (same thing, fancier word) are in the wine but you’ll be showing yourself off  as a newbie and, really, when it comes to French wine, the grapes are not the point – the terroir is the point.

If you’re tasting an Italian wine, things can get tricky since some go by their grape name (Dolcetto, Valpolicella, Nero d’Avola) and some go by their place name (Chianti – which is made from Sangiovese for example). Emphasis is more on grapes and less on terroir for Italian wines, but Italian wines are also much more prone to include obscure hyper-local varietals that you (or I) have never heard of. So you can ask…just prepare your best poker face when you have no idea what the guy’s talking about.

Here are some better questions to ask if you want to know more about the wine you’re drinking:

How many vineyards are the grapes sourced from? (Often if the grapes are sourced from a single vineyard or less than a few, this is a good sign)

What is the area like where the grapes were grown? What kind of soil? (This is a great way to learn more about how geography influences wine as you’re tasting it!)

How many bottles are produced each year? (A smaller amount produced and the more focus the winemaker can give each individual vintage).

What is in here that gives the wine it’s color/nose/backbone/smoky taste? (Is there something unusual or striking about the wine? Asking why it’s there and identifying something that is unique about a wine will impress everyone!)

Where can I buy this wine? (If you love a wine, ask where you can find it!)

So, that’s all I got for navigating a wine tasting. To sum up:

            • If you’re going to get drunk, don’t go.

            • Don’t feel compelled to finish every pour and don’t feel pressured to try something you have no interest in! Just say no thank you and ask to try what you want to try!

            • If you don’t want to spit in public, just commit yourself to a one or two sip maximum and pour out what’s left without feeling badly.

            • Pay attention and take notes if you want to remember something.

            • Ask questions that have answers you actually care about or would understand. There’s no point in asking “what grapes are in this?” if you have no idea what it means that a wine is blended from Roussane and Viognier. On the other hand, ask “what varietals are typically found in wines from this region?” and you’ll sound so much more informed.

            • Enjoy! Talk to strangers and be polite when they like the worst wine you tasted the whole night. Nobody likes a snob. Oh, and I leave you with this picture…which is just…weird: 

           

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